Mautopitch Vst Download Mac
Hailed at its introduction as a 'holy grail of recording,' by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation and timing problems in vocals or solo instruments, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation and timing. All with a user-interface that is a model of clarity, speed and ease-of-use.
And now, with its new-from-the-ground-up time manipulation capabilities, Auto-Tune 7 represents the most substantial advancement in functionality since Auto-Tune's original introduction in 1997.
For most common pitch problems, Auto-Tune 7's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style as well as create the iconic Auto-Tune Vocal Effect.
For meticulous pitch and time editing, Auto-Tune 7's Graphical Mode displays the performance's detected pitch envelope and allows you to modify pitch and timing with a variety of easy-to-use graphics tools. This mode gives complete control over the correction or modification of the most elaborate pitch and rhythmic gestures.
Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, save that otherwise once-in-a-lifetime performance, or create the Auto-Tune Vocal Effect, Auto-Tune is the overwhelming tool of choice.
And now, with its new-from-the-ground-up time manipulation capabilities, Auto-Tune 7 represents the most substantial advancement in functionality since Auto-Tune's original introduction in 1997.
For most common pitch problems, Auto-Tune 7's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style as well as create the iconic Auto-Tune Vocal Effect.
For meticulous pitch and time editing, Auto-Tune 7's Graphical Mode displays the performance's detected pitch envelope and allows you to modify pitch and timing with a variety of easy-to-use graphics tools. This mode gives complete control over the correction or modification of the most elaborate pitch and rhythmic gestures.
Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, save that otherwise once-in-a-lifetime performance, or create the Auto-Tune Vocal Effect, Auto-Tune is the overwhelming tool of choice.
Just as Graillon 2, it is compatible with all VST and AU plugin hosts on PC and Mac. Download: MAutoPitch (32-bit & 64-bit VST/VST3/AU/AAX plugin format for Windows & Mac OS) Read more ». Oct 18, 2019 MAutoPitch is a basic yet incredible sounding programmed pitch adjustment vst module intended for vocals and other monophonic instruments. Other than making the sound more in-order, MAutoPitch additionally gives innovative highlights, for example, formant move and stereo-extension. It is snappy, simple to utilize and free! Oct 18, 2019 MAutoPitch is a basic yet incredible sounding programmed pitch adjustment vst module intended for vocals and other monophonic instruments. Other than making the sound more in-order, MAutoPitch additionally gives innovative highlights, for example, formant move and stereo-extension. It is snappy, simple to utilize and free!
Those few drawbacks aside, MAutoPitch is a brilliant free autotune VST plugin that could quickly become your go-to pitch correction tool. Just as Graillon 2, it is compatible with all VST and AU plugin hosts on PC and Mac.
Latest Version:
MAutoPitch 14.04 LATEST
Requirements:
Windows XP / Vista / Windows 7 / Windows 8 / Windows 10
Author / Product:
MeldaProduction / MAutoPitch
Old Versions:
Filename:
maudioplugins_14_04_setup.exe
Details:
MAutoPitch 2020 full offline installer setup for PC 32bit/64bit
plugin designed for vocals and other monophonic instruments. Besides making the audio more in-tune, MAutoPitch also provides creative features such as formant shift and stereo-expansion. It is quick, easy to use and free! Included in: MFreeFXBundle, MTotalFXBundle and MCompleteBundle!Features and Highlights
How To Install Mautopitch
- The most advanced user interface on the market - stylable, resizable, GPU accelerated
- Unique visualization engine with classic meters and time graphs
- Multiparameters
- M/S, single channel, up to 8 channels surround processing...
- Automatic gain compensation (AGC)
- Safety limiter
- MIDI controllers with MIDI learn
- 64-bit processing and an unlimited sampling rate
- Extremely fast, optimized for newest AVX2 and AVX512 capable processors
- Global preset management and online preset exchange
- Supports VST, VST3, AU and AAX interfaces on Windows & Mac, both 32-bit and 64-bit
- No dongle nor internet access is required for activation
- Free-for-life updates
Mautopitch Free Download Mac
Note: Limited functionality in demo version.
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Xfer Records is home to VST plugins Serum, Nerve, Cthulhu, and LFO Tool.
Latest Version:
Serum 1.281 LATEST
Requirements:
Windows 7 / Windows 8 / Windows 10 / Windows 7 64 / Windows 8 64 / Windows 10 64
Author / Product:
Xfer Records / Serum
Old Versions:
Filename:
SerumSetup.exe
Details:
Serum 2020 full offline installer setup for PC 32bit/64bit
Serum is a wavetable synthesizer plugin created by Xfer Records that has completely taken over the music production world as the most used synth plugin. It features a visual and creative workflow-oriented interface that makes creating and altering sounds fun instead of tedious. Buy On Manufacturer Website Xfer Serum Review Since its release, Serum has quickly become the most popular software. Grab the Best Free Xfer Serum Sample Packs available from our library of free presets. Tired of the Classic Serum Look? Or Just feel like a new Style? Well you’re in the right place, we’ve created a list of sorts of our favourite Free Serum Skins across the web! Enjoy the downloads! If your Serum Skin Folder is missing you might want to update your Serum VST to the latest one to be sure all these will work. So, The Waveform By Adjusting. More, The Frequency Of The Additive Chart, Or Process / Produce Xfer Serum Crack. The Torrent Using Predefined Functions And A Mathematical Formula. Xfer Serum Key Features: Download Serum Vst Full Crack is 100% virus-free that no virus, malware, or spyware could hit it.
Serum has a Wavetable editor built right in- you can create your own wavetables in a variety of ways. Import audio directly from audio files - Serum for Desktop has a variety of methods and options for analyzing audio for breaking it apart into individual waveforms. You can import single-cycle wavetables of course, as well as many at once (with in-built sorting options, or manual re-ordering). Morph between various wavetables using standard linear interpolation (crossfading) or via harmonic/spectral morphing.
Draw directly on the waveform, with optional grid-size snapping and a variety of shape tools. Generate or modify waveforms using FFT (additive). Create or process waveforms using formula functions. Processing menu options allow you to do the other tasks you would want, such as apply fades, crossfades, normalize, export, and much more.
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired - to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound.
In the app, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does.
The modulation system allows for drag and drop connections between mod sources and destinations. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob. This LFO->Filter connection will now appear in the Mod Matrix as well. In other words, you have two views/approaches for creating and modifying your modulations: sometimes a list is nice, other times you just want the job done fast and easy.
In addition to moving through the set of wavetables (up to 256 make up a single oscillator), you can manipulate the waveform itself in a separate realtime process referred to as Warp. This allows for FM/AM/RM/Oscillator Sync and many other ways to modify the waveform, including “Remap” modes - a graph editor for drawing your own custom table manipulations.
Serum includes all of the filter types found in LFOTool in addition to some brand-new ones. Flangers, Phasers, and Comb filters all of which can key-track to the musical note you play. Dual filter types let you control or morph between filter types. Get creative with atypical processes for filters such as downsampling, or the unique filter types found nowhere before, such as the dirty-sounding French LPF.
An effects rack with 10 effects modules lets you get your sound all the way to the finish line inside Serum. Effects can be re-ordered to any configuration you want. Virtually all effect parameters are also available as modulation destinations. This is especially useful on monophonic synth sounds. For example, apply an LFO to control reverb size or dry/wet, or velocity to control distortion amount. Many of these effects and modes were built just for the app, so there are many unique effects to choose from, such as Hyper, which simulates (additional) unison amounts, or a dual-waveshaper which allows for a distortion you can morph between two separate wave shapes.
Serum for PC will let you stack a single oscillator to use up to 16 voices. Each of the wavetable oscillators have a number of unison advanced parameters. Stack settings allow for note (e.g. octave) layering to get a fuller sound for a single note-press. Set the unison voices to all have their unique waveform at once with the Unison WT Pos setting, or have them all skewed in a different way with the unison Warp control. A variety of unison tuning modes per-oscillator let you get the stack sound blooming or swarming like you want.
Note: Saving disabled. Plugin stops working after 20 minutes in demo version.
Draw directly on the waveform, with optional grid-size snapping and a variety of shape tools. Generate or modify waveforms using FFT (additive). Create or process waveforms using formula functions. Processing menu options allow you to do the other tasks you would want, such as apply fades, crossfades, normalize, export, and much more.
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired - to create / import / edit / morph wavetables, and manipulate these on playback in real-time.
Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound.
In the app, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does.
The modulation system allows for drag and drop connections between mod sources and destinations. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob. This LFO->Filter connection will now appear in the Mod Matrix as well. In other words, you have two views/approaches for creating and modifying your modulations: sometimes a list is nice, other times you just want the job done fast and easy.
In addition to moving through the set of wavetables (up to 256 make up a single oscillator), you can manipulate the waveform itself in a separate realtime process referred to as Warp. This allows for FM/AM/RM/Oscillator Sync and many other ways to modify the waveform, including “Remap” modes - a graph editor for drawing your own custom table manipulations.
Serum includes all of the filter types found in LFOTool in addition to some brand-new ones. Flangers, Phasers, and Comb filters all of which can key-track to the musical note you play. Dual filter types let you control or morph between filter types. Get creative with atypical processes for filters such as downsampling, or the unique filter types found nowhere before, such as the dirty-sounding French LPF.
An effects rack with 10 effects modules lets you get your sound all the way to the finish line inside Serum. Effects can be re-ordered to any configuration you want. Virtually all effect parameters are also available as modulation destinations. This is especially useful on monophonic synth sounds. For example, apply an LFO to control reverb size or dry/wet, or velocity to control distortion amount. Many of these effects and modes were built just for the app, so there are many unique effects to choose from, such as Hyper, which simulates (additional) unison amounts, or a dual-waveshaper which allows for a distortion you can morph between two separate wave shapes.
Serum for PC will let you stack a single oscillator to use up to 16 voices. Each of the wavetable oscillators have a number of unison advanced parameters. Stack settings allow for note (e.g. octave) layering to get a fuller sound for a single note-press. Set the unison voices to all have their unique waveform at once with the Unison WT Pos setting, or have them all skewed in a different way with the unison Warp control. A variety of unison tuning modes per-oscillator let you get the stack sound blooming or swarming like you want.
Note: Saving disabled. Plugin stops working after 20 minutes in demo version.
Serum VST 2.2.0b5 Crack Full Version Free Download Here!
Serum VST Crack is an advanced wavetable synthesizer, it makes you capable of creating great sounds because of its features, it makes you capable of creating great music, so, if you want to create high-quality sounds. This is the application that you will need, it is a full-featured application, therefore, you can effortlessly use its features to enhance your work and also you can edit the sounds with this application. Since you can also effortlessly import morph wavetables, therefore, you will have complete control with this application. Since you will also be able to edit, create the morph as well, thus feel free to take complete advantage of the features of the application.
If you make audios with other application, you can still import Serum VST Serial Number, thus after you import the audios in the application. You can effortlessly edit it the way you like and because of the great features of this application, you will be capable of improving the audios that you created. Since you can effortlessly enhance the audios you can also effortlessly analyze the audios, therefore, for this task, you can break the sounds into individual waveforms. Hence it will become easy to edit the sounds and it will also get easy to sort the waveforms. Thus if you want to morph between different waveforms with the use of linear cross-fading as well as harmonic morphing. Therefore, this application makes the whole process very easy.
Serum VST Crack
If you have to play wavetables you will need digital resampling, thus with Serum VST Key, you can effortlessly resample in a digital way to play numerous frequencies and in all this process you will not have to care for crunching. Thus this process will create great audible artifacts, therefore, this means that you can effortlessly crowd your mix with unwanted tones another application of this kind is very bad in this process. Even if you use high-quality preferences while if you use our application for all this task. The application will take care of all this process and it will handle all the process with ease and you will be capable of creating high-quality audios with this application.
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The system of Serum VST Crack provides you complete control, therefore, because of this you can use drag and drop feature to speed up your work and also you can connect mod sources and destination with this process. So, if you want to control a filter cutoff with LFO all you have to do is to drag the LFO title to the cutoff knob, therefore, as a result, the LFO->Filter connection will appear now in the matrix mod. So, you can do all this by only dragging and dropping the items, thus this feature makes it very easy to use this application.
There is complete control that this application provides you, therefore, you want to make changes in the wavetable. You will be capable of doing this in real time and the process to make changes in the wavetable takes place in a separate window and the whole process becomes very easy. Since there are all types of filters that can be found in LFO-tool but Serum VST Crack also has some new and advanced filters as well.
Main Features:
- A very powerful sound editing application.
- Gives you complete control of all the process.
- Import your own audio files.
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- Create your own wavetables in an easy way.
- Play the wavetable with ease.
- Create custom artifacts.
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- Easy to use interface.
- Compatibility to drag and drop of connections between source and destination of the mod.
What’s new in Serum VST 2.2.0b5 Crack?
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- Added compatible for up to 256 oscillators.
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System Requirements:
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- Any Intel or AMD Processor.
- 512 MB Minimum RAM.
- 300 MB Free Disk Space for complete installation
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GMS: Guild Management System. This will enable Guild Leaders to easily maintain a web page with little to no web design skills. Designed specifically for GuildWars guilds.
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The GuildWars Converter allows you to convert Player or Team Builds from .gtb to gwBBCode or from gwBBCode to .gtb. Additionaly you can edit each characters attributes, names and descriptions.
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Custom Wars is a fan-made Advance Wars game. It is developed by a collaboration of AW fans, graphic artists and programmers with the intention of making a game that features both a robust single-player mode and flexible netplay capability.It can use the contents of Advance Wars, Advance Wars 2, Advance Wars DS as a full-feature Advance Wars.
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GWMap is a program suite, written in C#, that will aid users with the game GuildWars by ArenaNet & NCSoft. GWMap is a program suite, written in C#, that will aid users with the game Guild Wars by ArenaNet & NCSoft..
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An MORPG loosely based off of games such as World of Warcraft and GuildWars that eliminates the persistent nature of those worlds, allowing the game to focus on skill and casual play.
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The most basic multi-module monster project in C programming has two source code files. Each file is separate — written, saved, and compiled individually — but eventually brought together as one unit by the linker. The linker, which is part of the build process in Code::Blocks, is what creates a single program from several different modules.
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What’s a module?
A module is a source code file and its compiled object file. Together, the source code and object files are a module. Then the various object files are linked to build a program. The entire operation starts with separate source code files.
Multiple File Compilation Multiple File Projects: Most of the time, full programs are not contained in a single file. Many small programs are easy to write in a single file, but larger programs involve separate files containing different modules. Adding files to your project. As programs get larger, it is common to split them into multiple files for organizational or reusability purposes. One advantage of working with an IDE is that they make working with multiple files much easier. You already know how to create and compile single-file projects. Im uncertain how to include an executable file, such as ad-aware, AND the definition file, all to be compiled into one executable. Ill post the script that Im using to install from the script directory. I have another script for spybot that includes the exe in the script executable, but I would a. Now when you compile your program, you should see the compiler list the name of your file as it compiles it. For Code::Blocks users In Code::Blocks, go to the File menu and choose New File.
THE MAIN.C SOURCE CODE FILE
Exercise 1: Fire up a new project in Code::Blocks named ex2401. Create the project as you normally would: Type the source code from The main.c Source Code File into the editor as the contents of the main.c file. Save the file.
Don’t build yet! After all, the code references the second() function, which doesn’t seem to exist anywhere. It’s prototyped, as is required for any function that’s used in your code, but the second() function is found in another module. To create that module in Code::Blocks, follow these steps:
Save the current project, ex2401.
Choose File→New→Empty File.
Click the Yes button when you’re prompted to add the file to the active project.
The Save File dialog box appears.
Type alpha.c as the filename and then click the Save button.
The new file is listed on the left side of the Code::Blocks window, beneath the Sources heading where the main.c file is listed. A new tab appears in the editor window, with the alpha.c file ready for editing.
Click the alpha.c tab to begin editing that file.
Type the source code from The alpha.c Source Code File into the alpha.c file in Code::Blocks.
Save the ex2401 project.
Build and run.
THE ALPHA.C SOURCE CODE FILE
Here’s the output you should see in the test window on your computer:
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The two source code files aren’t “glued together” by the compiler; each source code file is compiled individually. A separate object code file is created for each one: main.o and alpha.o. It’s these two object code files that are then linked together, combined with the C standard library, to form the final program.
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The main module for a multi-module C program is traditionally named main.c. That’s probably why Code::Blocks names the first (and, often, only) project source code file main.c.
Only source code files contained within the same project — found beneath the Sources branch — are linked together.
To compile and link source code files in a terminal window, use the following command:
This command compiles the source code files main.c and alpha.c, links together their object files, and then creates as output (-o) the program file ex2401.
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Personis Studio 1 4 Auto-tune
Auto-Tune Pro is the most complete and advanced edition of Auto-Tune. It includes Auto Mode, for real-time correction and effects, Graph Mode, for detailed pitch and time editing, and the Auto-Key plug-in for automatic key and scale detection. Dec 30, 2009 Category Education; Song Whatcha Say; Artist Jason Derulo; Album Whatcha Say; Licensed to YouTube by WMG (on behalf of Warner Records Label); LatinAutor - Warner Chappell, UMPI, CMRRA, LatinAutor. Aug 28, 2019 How do I add auto-tune to studio one 3 artist? How can i set my Antares auto tune, hyper sonic, and nexus to work with studio one pro 2.6.? Why does studio one knock out some third party plugins such as Amplitube and Wave Tune after every little update? Feb 22, 2020 PreSonus Studio One Pro 4.5.1 Crack With Keygen Win + Mac PreSonus Studio One Pro 4.5.1 Crack is a digital audio workstation application designed for ease of use without sacrificing effectiveness.Its single-screen interface homes an infinite number of mastering editing tools, innovative virtual tools, monitors, and video player.
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| what's up everyone? Hope everyone's new year is off to a good start... Im just wondering if anyone knows of any good auto-tune plug ins we can buy that work well with studio one. I have artist 3.3. I saw melodyne but I think that is a little pricey, anyone have suggestions? thank you! |
| Melodyne doesn't do auto-tune. It does do pitch-correction but not live. One of the cheapest plugins that does auto-tune that I know of is Izotope's Nectar Elements. If you do a lot of work with vocals, I'd recommend getting the full Nectar 2 Suite as it gives you more control as well as a lot more functions, options, and effects. Garry Knight Studio One 3 Professional Melodyne Editor 4, NI Komplete 11 Focusrite Scarlett 2i4 audio interface Windows 10 Professional 64-bit, 16 GB RAM, Core i5 Microsoft Surface Pro 3, Core i7, 8GB RAM, 128 GB SSD Nektar Impact LX49+, Samson Graphite 25, and Korg microKey 25 MIDI controllers Novation ZeRO SL MkII mixing control surface Korg nanoKontrol 2 mixing control surface Reaper, Logic Pro X, GarageBand https://soundcloud.com/garryknight |
| ryanreilly wroteI have artist 3.3. First you need this to use third party plugins. |
| Waves Tune is a great Melodyne alternative, and is very affordable, especially when on sale by itself or part of the Vocal Bundle. I actually prefer the interface to Melodyne's. It's similar where I want it to be and different where I want it to be. For the old set it and forget it kind of tuning, Waves Tune Real-Time does this. You set your scale, standard or custom set of notes, and then set how quickly you want the correction to be done, along with a bunch of other settings. I personally don't usually use this type of tool, but it's very good at what it's intended for. 5,1 Mac Pro 2.4GHz 8-Core 2011 16GB RAM 2018 MacBook Air 13' Studio One 3.5 Presonus 24c Focusrite Scarlett 6i6 Mackie 802-VLZ3 |
| Here's a freebie: www.meldaproduction.com/MAutoPitch Here's a video demo of this plugin: www.youtube.com/watch?v=8TvONFY1EH0 Atari 5200, 64K RAM S1PRO Radio Shack Cassette Recorder w/internal Mic, |
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Prior to the digital age, life in the studio was all about moderating the effects of human touch.
Compressors evened out the dynamics of the bass player while a side chain feed kept them matched with the drummer. The drummer had a metronome feed playing to maintain tempo.
Singers, well, you could keep their dynamics in control, but when they sang flat, about all you could do was tell them to smile as they sang and aim above the problem notes.
Smiling has the mysterious effect of raising singers' pitch. Aiming high is probably wishful thinking on everyone's part, but sometimes it works.
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The Advent of Auto-Tune
You wouldn't think earthquakes have a lot to do with singing in pitch and they don't, really.
However, it was seismi c research that provided the background for Dr. Andy Hildebrand, the creator of Auto-Tune and its parent company Antares.
He left that field and returned to his early love of music, bringing knowledge that created seismic interpretation workstations and applied it to issues arising in the early days of digital music.
Hildebrand's expertise with digital signal processing led to a series of audio plug-ins, including 1997's Auto-Tune, which could correct the pitch of a voice or any single-note instrument with surprisingly natural results.
Audio engineers now had a weapon against the occasional bum note. Rather than scrapping an entire take, Auto-Tune offered a repair tool that quickly caught on.
Auto-Tune as an Effect
It was only a year later in 1998 that use of Auto-Tune as an effect rather than repair tool happened.
Called the 'Cher Effect' after the singer's hit, 'Believe,' artificial and abrupt pitch changes came into vogue. Later, real-time pitch correction hardware brought both effects and repairs to the stage.
In the studio, Auto-Tune proved another weapon to 'fix it in the mix.'
Issues with Auto-Tune started soon after, with lines drawn between the purist and users camps. Many felt that using pitch correction was an artistic cheat, a way to bypass craft.
Presonus Studio 1 4 Auto Tune 1
The arguments resemble the resistance synthesizers received in the 1970s and 80s that led Queen to note that none were used on their albums.
The other side of the argument pointed out that tools such as compressors and limiters and effects such as audio exciters had already been modifying the sound and behavior of voices throughout the history of recording. Though the anti-Auto-Tune camp seems vocal and large, rarely does a session go by without some use of pitch correction. It's nearly impossible to detect when used judiciously, nowhere near as obvious as when used for effect.
Auto-Tune is no longer the only player in the pitch correction game either. Celemony's Melodyne software substantially improves on Auto-Tune's interface and brought the full power of pitch correction to a plug-in ahead of the tool's originator, which still leads the pack when it comes to response and set-and-forget capability.
'Generic' Auto-Tune
The Antares version of the effect has achieved 'Kleenex' status. Its brand name is now synonymous with the generic effect it originated. It joins 'Pro Tools' from the audio world and 'Photoshop' from digital imaging in this manner.
Unlike some digital music signal processors, pitch correction hasn't generated a huge number of knock-offs. Melodyne is a serious contender, due to its far more intuitive interface. GSnap is an open source alternative that produces similar results. While iZotope's VocalSynth includes pitch correction features, it's more of a full vocal processor rather than a dedicated pitch correction app.
The 4 Best Auto-Tune VST Plugins
Now, lets get into the top 4 autotune plugins. Each one offers unique features and I assure you that one of these plugins have exactly what you are looking for
Antares Auto-Tune Vocal Studio
The originator is now a full-featured and functional vocal processor that still masters the innovative pitch correction duties it brought to the market, but adds a wide range of additional features and effects to help nail down the perfect vocal take.
Auto-Tune 7 forms the core of the Vocal Studio package, still tackling the pitch and time correction duties it always has. Since its earliest days, automatic and graphical modes handle the various chores for the main Auto-Tune module.
While still presenting a learning curve for the new user, the Auto-Tune 7 interface remains familiar enough for experienced users. Since it's the best-selling pitch correction software going -- and by a huge margin -- there are a lot of existing Auto-Tune users. Even if you're new to the plug-in, chances are you know someone who's used it.
The rest of the Vocal Studio package focuses on vocal manipulations such as automatic doubling, harmony generation, tube amp warmth and vocal timbre adjustment. The range and nature of these adjustments takes vocal processing into some new territory.
The MUTATOR Voice Designer lets you manipulate voices from subtle to extreme, permitting organic or alien manipulations but with results that still sound like voices, though perhaps not of this world. The ARTICULATOR Talk Box produces effects such as the guitar talk box of Peter Frampton and Joe Walsh, but also Alan Parsons-ish vocoder sounds, combining the features of sung or spoken voice with an instrument's output.
While the Auto-Tune Vocal Studio remains pricey, it remains at the top of a niche market of audio processing.
Melodyne 4 Studio
If Auto-Tune has a serious competitor in the pitch correction universe, it's Celemony's Melodyne. The interface, layout and operation of Melodyne is inherently more musical than the Antares take, so newcomers to pitch correction will likely find Melodyne easier to work with.
The Melodyne 'blob' is an easy to grasp analog of a sung note. It's far more intuitive than a waveform to understand. With the focus on graphical interface, Melodyne makes sense more quickly and easily than Auto-Tune. The latter's switching between automatic and graphical modes creates a comparative disconnect between functions.
Even long-time users of Auto-Tune will find moving to Melodyne natural, as there's enough in common that, once a user gets their bearings, familiar functions remain available.
Many Melodyne functions perform on polyphony too. Correcting a track with a multi-voice choir or chording instrument can work too. It's not a perfect function, but it's uncanny how often Melodyne senses chords clearly enough to allow changing of a single element.
What Melodyne doesn't do is the advanced vocal pyrotechnics offered by Auto-Tune. The Celemony product is all about pitch and time correction and it accomplished these with grace and ease.
Those looking for an affordable entry into digital pitch correction can turn to Melodyne 4 Essential. It's a plug-in that handles the pitch and time corrections of its big brother, but with fewer advanced features and without the full-featured price tag.
iZotope VocalSynth
Though pitch correction isn't the focus of this iZotope plug-in, it resembles the full Auto-Tune Studio package. At a fraction of the cost of the big boys in this class, VocalSynth doesn't offer the depth of control experienced with either Auto-Tune or Melodyne, yet it still manages to provide a reasonable job of pitch correction.
There's no graphical representation such as Melodyne's or Auto-Tune's graphical mode. That makes fine-tuning performances a little beyond the reach of VocalSynth, but for reasonable performances, it's not a major limitation. Think of the iZotope product as a first-aid kit rather than an emergency department.
The four voice synthesis modules are where the fun resides with VocalSynth. Talkbox, Compuvox, Polyvox and Vocoder modules emulate many of the vocal effects you've heard on hits from a wide range of artists. This is also just the most overt extra in the VocalSynth package.
A variety of additional modules let you tune up or tear up your vocal tracks. Add harmony, filter vocals, create radio and phone effects. These modules can either optimize your track or take it to new and exciting places.
VocalSynth may be the country cousin to the serious pitch manipulators, but it has capability with a high fun factor.
GVST GSnap
Don't let the download page fool you, GSnap is a VST plug-in that works with any DAW platform that supports VST, not simply Windows-based DAWs. Both 32 and 64-bit support is included. Completely free, it does come with limits. While there is more graphic information than iZotope offers, it doesn't offer direct edits.
While not as flexible as pro pitch correction, it's a low-cost alternative for users who can't swing the big time prices. It's difficult to use GSnap subtly. That's not an issue for those seeking pitch correction effects, such as Cher or T-Pain. Backup vocals are also a good candidate.
This is the entry level of pitch correction, and because of that, it's included here. The effect is so ubiquitous that anyone working in the field needs to know how it works. GSnap represents the place to start.
Wrapping It Up
Love it or hate it, pitch correction is here to stay, both as tool and effect. These four plug-ins aren't the only ones out there, but they represent the spectrum of pitch correction treatment. Auto-Tune is the originator. Melodyne is the refinement. It works just as well as the Antares product in nearly every way with an interface that easy to grasp.
iZotope VocalSynth represents the cream of the mid-priced plug-ins. It's capable and creative, even if it's not as flexible on pitch correction as the top-line apps. GSnap represents pitch correction for everyman. You can't knock the price of freeware.
The debate will likely rage over the ethics of pitch correction in popular music. While you wait for the dust to settle, give one of these packages a try.
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